Resume it instantly; withdraw into the city; I warn you that the King yesterday signed an order for your return to France; you are not safe in your hotel, and you would here find too powerful enemies." I heard the Chevalier d'Eon repeat the contents of this letter, in which Louis XV. thus separated himself from the King of France, several times at my father's. The Chevalier, or rather the Chevalaere d'Eon had preserved all the King's letters. Messieurs de Maurepas and de Vergennes wished to get them out of his hands, as they were afraid he would print them. This eccentric being had long solicited permission to return to France; but it was necessary to find a way of sparing the family he had offended the insult they would see in his return; he was therefore made to resume the costume of that sex to which in France everything is pardoned. The desire to see his native land once more determined him to submit to the condition, but he revenged himself by combining the long train of his gown and the three deep ruffles on his sleeves with the attitude and conversation of a grenadier, which made him very disagreeable company.
[The account given by Madame Campan of the Chevalier d'Eon is now known to be incorrect in many particulars. Enough details for most readers will be found in the Duc de Broglie's "Secret of the King," vol. ii., chaps. vi. and g., and at p. 89, vol. ii. of that work, where the Duke refers to the letter of most dubious authenticity spoken of by Madame Campan. The following details will be sufficient for these memoirs: The Chevalier Charles d'Eon de Beaumont (who was born in 1728) was an ex-captain of dragoons, employed in both the open and secret diplomacy of Louis XV. When at the embassy in London he quarrelled with the ambassador, his superior, the Comte de Guerchy (Marquis do Nangis), and used his possession of papers concerning the secret diplomacy to shield himself. It was when hiding in London, in 1765, on account of this business, that he seems first to have assumed woman's dress, which he retained apparently chiefly from love of notoriety. In 1775 a formal agreement with the French Court, made by the instrumentality of Beaumarchais, of all people in the world, permitted him to return to France, retaining the dress of a woman. He went back to France, but again came to England, and died there, at his residence in Millman Street, near the Foundling Hospital, May 22, 1710. He had been a brave and distinguished officer, but his form and a certain coldness of temperament always remarked in him assisted him in his assumption of another sex. There appears to be no truth in the story of his proceedings at the Russian Court, and his appearing in female attire was a surprise to those who must have known of any earlier affair of the sort.]
At last, the event so long desired by the Queen, and by all those who wished her well, took place; her Majesty became enceinte. The King was in ecstasies. Never was there a more united or happier couple. The disposition of Louis XVI. entirely altered, and became prepossessing and conciliatory; and the Queen was amply compensated for the uneasiness which the King's indifference during the early part of their union had caused her.
The summer of 1778 was extremely hot. July and August passed, but the air was not cooled by a single storm. The Queen spent whole days in close rooms, and could not sleep until she had breathed the fresh night air, walking with the Princesses and her brothers upon the terrace under her apartments. These promenades at first gave rise to no remark; but it occurred to some of the party to enjoy the music of wind instruments during these fine summer nights. The musicians belonging to the chapel were ordered to perform pieces suited to instruments of that description, upon steps constructed in the middle of the garden. The Queen, seated on one of the terrace benches, enjoyed the effect of this music, surrounded by all the royal family with the exception of the King, who joined them but, twice, disliking to change his hour of going to bed.
Nothing could be more innocent than these parties; yet Paris, France, nay, all Europe, were soon canvassing them in a manner most disadvantageous to the reputation of Marie Antoinette. It is true that all the inhabitants of Versailles enjoyed these serenades, and that there was a crowd near the spot from eleven at night until two or three in the morning. The windows of the ground floor occupied by Monsieur and Madame --[The wife of Monsieur, the Comte de Provence.]-- were kept open, and the terrace was perfectly well lighted by the numerous wax candles burning in the two apartments. Lamps were likewise placed in the garden, and the lights of the orchestra illuminated the rest of the place.
I do not know whether a few incautious women might not have ventured farther, and wandered to the bottom of the park; it may have been so; but the Queen, Madame, and the Comtesse d'Artois were always arm-in-arm, and never left the terrace. The Princesses were not remarkable when seated on the benches, being dressed in cambric muslin gowns, with large straw hats and muslin veils, a costume universally adopted by women at that time; but when standing up their different figures always distinguished them; and the persons present stood on one side to let them pass. It is true that when they seated themselves upon the benches private individuals would sometimes, to their great amusement, sit down by their side.